Tuesday brought voice show the results of 13 balls, which determined the most important top 10 of this season. Earlier in the evening, host Carson Daly explained that nine contestants would be voted off, based on Monday’s 13 best performances, after which the remaining four singers would compete for the final spot via a real-time, voted-on sing-off. from the audience, Instant Save.
On Monday, I predicted that among the bottom four would be Team Camila’s Eric Who, who drastically toned down his usual colorful and flamboyant stage presence and was lost in the shuffle as a result; Team Gwen’s Alyssa Witrado, who really should have never made it to the top 13; and the most promising and unique member of Team Gwen, Kiqué, who disappointingly played it too safe and straight this week with a soft karaoke cover of Stevie Wonder. And I was right about all three.
However, I would also assume that Team Blake pop singer Rowan Grace, who I thought really nailed her ABBA cover, would also be in the running. But I should have considered Blake Shelton’s rampant popularity among the faithful voiceviewers. Rowan survived — making Blake the only season coach to have all four of his Live Playoffs semifinalists make it to the top 10. If you’re doing the math, that means Team Blake now makes up 40% of Season 22. The man is simply unstoppable – that is, until he stops himself and pulls away voice next year. I’ll be curious to see how the show’s voting patterns change once Blake is no longer a variable in season 24.
But… back to it the season. A season 22 contestant I absolutely did not worried to be in danger this week was Team Camila Devix’s husky alt-rocker, who on Monday sensationally slayed an Arctic Monkeys track – a voice First! – and in the process apparently established itself as an exciting new contender. John Legend had told Devix that “RU Mine?” it was “the right song for who you are as an artist and vocalist”; Proud coach Camila Cabello said: “You went Super star in this!”; even the former and current DJ of KROQ voice host Carson Daly expressed his approval, telling Devix, “Thank you for bringing rock ‘n’ roll back to voice — a sound and feeling we’ve been missing for a while!”
But apparently voice viewers didn’t miss rock at this show – or at least they didn’t miss Britrock. Oh good. And here I was hoping Devix would cover a Franz Ferdinand, Cribs, Muse or Kasabian banger next week.
But there was still hope for Devix to come next week, and when it came time for him to sing for Save, he stuck to the genre he does best, with a rousing performance of the rather Anglophilic Killers’ When You Were Young. .” This show had less of the darkness, menace and mayhem of last night’s number – it was anthemic, joyous, gospel, certainly stadium-worthy – and it looked like all might not be lost.
“Listen, I don’t know what America was thinking when they didn’t vote for you yesterday,” Camila complained. “America, you can redeem yourself now. Pay yourself off! … America, you would be making a huge mistake if you let Devix go. You want to hear that voice of his on a ballad. You want to hear that voice of his on a really emotional song. You do not I want you to let this voice go!”
But Devix had stiff competition from Kiqué, this season’s other super cool indie-rock act. “I will not I want to make this call,” Carson admitted.
At least it seemed clear that America wouldn’t have to make the call between Eric and Alyssa. First, Eric sang… “The Climb” by Miley Cyrus. whoops. More like Eric Why, amirite? Eric is a consummate showman, a rollicking, and when he was his absolutely fabulous pastel-haired self, the one-man star of The Eric Who Show, he was a blast to watch. I’m not sure why he felt compelled to go so off-brand this week with his cute ballad choices and fashion sense, but he really sabotaged himself. And I felt that he didn’t come out on his own terms. When he soulfully sang Miley’s “The Climb” line “my is shaken faith,” it really seemed to be, and when he ended his song with “I love y’all,” it was clear that he knew “The Eric Who Show”. ” had finished. And that was a shame.
As for teenage pop star Alyssa, she belted out the age-appropriate “Ocean Eyes” by Billie Eilish, and it was actually one of her strongest performances – certainly better than the shaky cover, Monday’s almost blasphemous Selena – more vulnerable and relatable, and more. it suits her thin voice. But it was still an unprepared and inconsistent performance, suggesting she would have been better off waiting to audition for voice in one or two seasons.
Returning to the theme of redemption, Kique hoped to redeem HIMhimself, since after delivering some of the most creative and left-field performances of the season (radical remakes of OutKast’s “Hey Ya!” and Harry Styles’ “As It Was”), he bumped and tripped Monday with a generic and old fashioned version. performance. So Kiqué left him howl at the Weeknd’s Fifty Shades of Grey theme “Earned It” – and he earned it, all right. This was 50 shades of gorgeous – an incredibly confident and sexy vocal.
“Obviously, Kique is crossing America. Right?” Gwen Stefani begged. “I want to remind everyone that this is a 19-year-old boy; he has one manthe voice. … I feel like this is a mistake, America. We have to push Kique”.
And so, after a commercial break and a five-minute voting window, America heeded Camila and Gwen’s pleas and saved… Kiqué. I couldn’t really argue with that decision and I’m glad Kique got a reprieve. But Devix must have never was in the bottom four to begin with—not when he was just starting to come out of his shell and break the mold.
“Devix, no matter what happens tonight, I just think you’re a huge talent,” Camila assured the 28-year-old Queens rocker before learning his fate. “I want to listen to your songs in my car. I think you are such a talented musician. You were meant to do this. Thank you for being vulnerable and open with me.”
Hopefully this isn’t the last we hear from Devix. Meanwhile, the top 10 will compete next Monday, and hopefully Kiqué will learn from this week’s close encounter and go back to taking chances and changing the script – or Kiqué-fying – some more song choices out of the box. See you then.
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